Saturday, April 4, 2009
Resources
Cornelius, Steven H., Music of the Civil War Era. Connecticut: Greenwoods Press, 2004
Note: Please Read from the Bottom Up.
Music of the Late Civil War
The song, though controversial and error written, remained one of the most popular song in the North for many decades. Its popularity, as described by George Roots, may have been because of its unusual outlook. At the time, most songs were more about going into combat or its bloody sequence, it was retrospective instead.
Original Artist: Henry Work
Represented Artist: Harlan and Stanley
Represented Title: Marching thro' Georgia
Represented Album: Todd collection
Represented Label: Edison Gold Moulded Record
Catalog Number: Not Available
Full Version: http://cylinders.library.ucsb.edu/search.php?queryType=@attr%201=21&query=civil%20war&num=1&start=37&sortBy=&sortOrder=id
Alternative Full Version: http://www.youtube.com/watch?v=O-dzCt2xeSo&fmt=18
The music of the Union also focused on Jefferson Davis, the President of the Confederate, mostly on insults. "How Do You Like It Jefferson D?" composed by Amos Patton in 1864 had its sheet music front with a African-American Soldier watching a Devil roasting Davis over a fire. The song itself contained many words of dominance over Jefferson Davis, as it laughs at him for taking the position opposite of the North.
The Union's final focus was on President Abraham Lincoln, especially after his assassination by John Wilkins Booth. Songs such as "Farewell Father, Friend and Guardian" composed by L.M. Dawn, "We Mourn Our Chieftain" by M.B. Ladd, and more came to honor the late President.
The music of the Confederates, in contrast, became more subdued as the war was coming to an end. The Confederate songs, however, didn't become more prideless. In "Why Can We Not Be Brothers, or, We Know That We Were Rebels" composed by Ward and Prentice in 1865, the lyrics showed no sense of resignation, and remained proud of being a rebel/traitor of the land.
Lyric "Why Can We Not Be Brothers, or, We Know That We Were Rebels":http://www.pdmusic.org/civilwar2/65wcwnbb.txt
The composers of North and South eventually shifted the music away from the war altogether as they don't want to write more songs about suffering and death.
Picture Source: Cover Browser
Songs of Civil War: Mother and Family
Songs such as "The Dying Mother's Advice to Her Volunteer Son", composed in 1863 by A.J. Higgins, and "Dear Mother I've Come Home to Die", composed by Henry Tucker in the same year, combines the feeling of Motherhood and death into one song. These music generally combined the nurture feeling of motherhood as it symbolized fidelity, innocence, hearth, and home. As the horror of the war became better understood, the images of nation were replaced by images of mother. Most of these songs, however, had been more depressing as it generally focus on the feeling of the son to his mother before death, the feeling of the mother when she new the truth, or both.
There are other subgenre such as soldier's feeling to his children, but the other most famous subgenre would be songs that was about the son's feeling when they're imprisoned by enemy soldiers. "Tramp! Tramp! Tramp" (The Prisoner's hope), composed by George F. Roots, is one good example as it shows the feeling of prisoner of war, especially when prisoners tried to hold back tears when singing the second sentence of the lyric "Thinking Mother dear, of you."
Original Artist: George F. Root
Represented Artist: Harlan and Stanley
Represented Title: Tramp! Tramp! Tramp!
Represented Album: Edison Amberol
Represented Label: Creative Engineering, Inc.
Catalog Number: Not Available
Full Version: http://cylinders.library.ucsb.edu/search.php?queryType=@attr%201=21&query=civil%20war&num=1&start=10&sortBy=&sortOrder=id
Alternative Full Version: http://www.youtube.com/watch?v=R0I3inaIQPA&fmt=18
Picture Source: Cover Browser
The Anti-War songs of Civil War
The first anti-war song written for Civil war was by Will Shakespeare Hays, a Unionist. He wrote the song "Let Us Have Peace" to the South in hoping that this song will let the South and the North to reunite into one again. However, instead of reuniting the two land, it sparked the idea of having more anti-war song.
Henry Russell's "The Old Arm Chair" was written in the honor of Lieutenant John William Grout of the 15th Massachusett Infantry. The song sang about the loss of someone important, and hopefully it will gave other people of how important it is to end the war soon.
Original Artist: Henry Russell
Represented Artist: Caroline Moseley
Represented Title: The Old Arm Chair
Represented Album: None
Represented Label: Not Available
Catalog Number: Not Available
Lyrics and Song(with permission by user): http://www.iath.virginia.edu/utc/sentimnt/armchairf.html"All Quiet Along the Potomac To-night" was originally a poem written by Ethel Lynn Eliot Beers. John Hill Hewitt, who was a Confederate Army musician eventually convert this into a song. The song itself represented as anti-war song as the lyric often represented the feeling of a soldier.
Original Artist: John H. Hewitt
Represented Artist: 97th regimental string band
Represented Title: All Quiet Along The Potomac
Represented Album: Authentic Songs Of The American Revolution & The Civil War Era
Represented Label: Grammercy Records
Catalog Number: B001R6JGE2
Sample: http://www.amazon.com/All-Quiet-Along-The-Potomac/dp/B001R6JGE2/ref=sr_1_2?ie=UTF8&s=dmusic&qid=1238899242&sr=8-2
Alternate Full Version: http://www.youtube.com/watch?v=3dVMpRfiD0s&fmt=18
All in all, the anti-war song music became popular because it provided a different contrast to all the fighting, and hoped that it will end as soon as possible.
Pictures Source: Sheridan Libraries
Liberty Songs of the Confederate
Some examples of the Liberty songs of the south included James Pierpont's "We conquer or die" composed in 1861, which the lyrics focuses on conquering the enemy to gain the freedom they deserve.
"Southern Song of Freedom", a song with no composed date, nor a recorded composer, focused more on a happier ending of the war for the south than most other examples. It focused about the possibilities of the South once the war was over, and the freedom that they could achieve.
Lyric "We Conquer or Die": http://library.thinkquest.org/06aug/01591/conquer-t.html
Lyric "Southern Song of Freedom": http://books.google.com/books?id=FkoCAAAAQAAJ&pg=PA42&dq=southern+song+of+freedom#PPA42,M1
War Death Song of the Union
Some example of the honoring the war dead songs included "Ellsworth Requiem", composed in 1861, was to honor the first officers that was killed in the war, Colonel Elmer Ephraim Ellsworth. Alfred Delaney in 1863 assured the listeners that death with honor was no death at all with a song that he composed called "Dirge". The lyric of "Dirge" focused on how death for country is a honor within. The glory that the soldier made will never be forgotten because they will always be remembered by his fellow comrade in arms.
Lyrics to "Dirge": http://www.pdmusic.org/civilwar2/63dirge.txt
Maryland, My Maryland
Represented Artist: The Cumberland
Represented Title: Maryland, My Maryland
Represented Album: Civil War Tribute Collection: 15 Traditional Timeless Classics
Represented Label: Rural Rhythm
Catalog Number: B0013AQBHM
A confederate song that tried to convince Maryland to secede after the Baltimore incident on April 19, 1861. The origin of the song came to be after the attack on Fort Sumtor had fallen. Lincoln ordered 75,000 troops to Maryland to defend the nation's Captial. However, at Baltimore, a pro-confederate city at the time, a confederate mob was formed, and attack the troops that was boarding the train. This resulted in the first casualities of the war with 4 soldiers and 12 civilians dead. James Ryder Randall, a Confederate sympathizer wrote the poem "My Maryland" as a plea for Maryland to secede to the South. This, however, failed to convince Maryland to secede as most of the population were still Pro-Union. It remained popular with the South as a symbol to hopefully secede Maryland to the South, and eventually became the State Song of Maryland.
Sample: http://www.amazon.com/Maryland-My-Album-Version/dp/B0013AQBHM/ref=pd_bbs_sr_1?ie=UTF8&s=dmusic&qid=1238882723&sr=8-1
Alternative Full Version: http://www.youtube.com/watch?v=PJcHNCZNj24&fmt=18
Picture Source: Ragtime Society
First Civil War song: The First Gun is Fired
Lyric of the song: http://www.pdmusic.org/root-gf/gfr61g.txt
Official Anthem of the Confederate: God Save The South
Represented Artist: Bobby Horton
Represented Title: God Save the South
Represented Album: Homespun Songs of the C. S. A., Volume 6
Represented Label: Bobby Horton
Catalog Number: B001BVJVAC
The Official Anthem of the Confederate. It was composed by Ernest Halphin. Due to the popularity of the Dixie, however, this music was rarely heard, and most of the confederate soldiers preferred the Dixie. Dixie, however, was also popular in the north, especially with Abraham Lincoln. From my guess, the piece was created as the National Anthem so that the Confederate could distinguish themselves away from the Union with a piece that the North can never replicate, "God Save the South". This song can't be replicated as the lyrics focused on viewing the South as the victim of the war, and request asistance from god to prevail in the war.
Sample: http://www.amazon.com/God-Save-the-South/dp/B001BVJVAC/ref=sr_f2_1?ie=UTF8&s=dmusic&qid=1238834828&sr=102-1
Alternative Full: http://www.youtube.com/watch?v=VpyBNKZ7FEA&fmt=18
Marching Song of the Confederate: The Bonnie Blue Flag
Original Artist: Harry McCarthy
Represented Artist: Polk Miller
Represented Title: The Bonnie Blue Flag
Represented Album: Polk Miller & His Old South Quartette
Represented Label: Tompkins Square
Catalog Number: B001GEQP44
One of the most infamous marching songs for the Confederate. Composed in 1861, the song basically restated the history of the confederate and how it came to be. This was used as an effective marching song as the lyrics were heavily emphasized on propanganda of the Confederacy. This song constantly reminded the reason that the south is fighting in this Civil War, and help boosting the morale of the Confederate soldiers.
Sample: http://www.amazon.com/The-Bonnie-Blue-Flag/dp/B001GEQP44/ref=sr_1_5?ie=UTF8&s=dmusic&qid=1238833304&sr=8-5
Alternative Full Version: http://www.youtube.com/watch?v=8uTfM5vKTwE&fmt=18
Patriotic Song of the Union: The Battle Cry of Freedom
Catalog Number: Not Available
Friday, April 3, 2009
The Unofficial War Anthem of the Confederate: Dixie
Represented Artist: Alan Baker
Represented Album: Songs of the Civil War
The Unofficial War Anthem of Union: The Battle Hyme of the Republic
Represented Artist: Judy Collins
Title: The battle hymn of Republic
Represented Album: Songs Of The Civil War
Represented Label: Sony
Catalog Number: B00000283E
The Battle Hymn of the Republic, originally known as the "John Brown's Body", was one of the two most popular music during the Civil War. It was considered as the unofficial war anthem by scholars.
Because of its popularity in the pre-war, even parts of the Confederates would occasionally sang it with a different lyrics than the Union while it was still known as "John Brown's Body".
It wasn't until 1862, when an abolitionist named Julia Ward Howe heard and saw a potential in the music when she decided to create a better lyric for the song. Thus, "The Battle Hymn of the Republic was born". The piece represented as the reason why we were in a civil war, and boosted the morale of the troops in the company that it became one of the most infamous songs of the Union. This music was popular even among the African American soldiers, as historian Eileen Southern calls it "the unofficial theme song of black soldiers." Though more different lyrics were created from "John Brown's Body", none were able to match the lyrics of the apocalytic vision made by Howe.
Sample: http://www.amazon.com/gp/product/B00137R9V2/ref=dm_dp_trk9?ie=UTF8&qid=1238824731&sr=1-2
Alternate Full Version: http://www.youtube.com/watch?v=VslzcciRmZg&fmt=18
Thursday, April 2, 2009
History/Descriptions:
As stated by the great Confederate General Robert E. Lee after enjoying a brass serenate, "I don't think we can have an army without music". Lee spoke for majority of the soldiers, both North and South. Instrumental musicians were especially important in the civil war military experiences. On a typical day for a soldier, listening to music had became part of life. Starting with the morning, the soldiers would wake up to the rattling beat of the drums. The Band Music would energize soldiers on the march and break the monotony of camp life. During combat, each side would play music that symbolizes each side, such as "Dixie" for the Confederates, or "Battle Hymn of the Republic." for the Union. After a combat, when the soldiers are in a hospital, the musicians would play music of home and country, mainly to remind themselves of love and family.
The army had two categories of music: Field music and Band Music. Field Musicians are more for everyday life such as time organizations, marching, and battlefield, while Band Musicians are more for Entertainment purpose. However, they also support the army in the battlefield by playing strong patriotic songs to frighten the oppositions. It was once said that music was the equilvalent of a thousand men. Both were essential as each provided different functions to the army. Without either one the soldiers would most likely suffer from loss of morale, and ultimately lose the reason to fight.
The sound of camp and combat music were never forgotten by those who lived with them. From the words of one of the soldiers that participated in the civil war that had a reunion in 1888, he stated that when a bugler sounded the old Dan Butterfield call, veterans who had been scattered everywhere came to the hill in answer to the call, most of them had tears in their eyes. It was then that they were once again reminded by the memories of the war while having a breath-taking sense of reality.